The two-day exhibition An Order included five artists who each made installations responding to the space that used to be Saint Joseph's Providence Orphan Asylum. The show's organizer, Abbey Meaker, has been creating lens-based work that she calls "semi-archaeological" based on her investigations of the former orphanage for approximately three years, which includes an active Facebook group for adults who once lived or worked at St. Joseph's. The participating artists are Meaker, Wylie Garcia, Sarah O'Connell, Rebecca Weisman, and Mary Zompetti.
In the short amount of time I've been back in Vermont, this is the second time that a public arts event allowed me to visit the inside of an otherwise off-limits building - the first was the Moran Plant. An Order let visitors explore a portion of the former orphanage, which operated from 1885 to the early 1980s, and then became a part of Burlington College - before its impending transformation into private housing.
In the giant, high-ceilinged chapel, the five artists created a Last Supper-styled altar tableaux, which to my delight was arranged below a giant rolled screen hung from the ceiling, a presumably coincidental (?) comment on the proximity of different kinds of image-worship. I spoke briefly to Meaker, who said that the entire altar was created using items that the artists had found from around the property.