Writing — Rachel Elizabeth Jones

One Shot | Lynn Ramsay’s Gasps for Air (MUBI Notebook, November 2024)

Interview with Maura Brewer (BOMB, October 2024)

Daddy Says: Ed Ruscha In Other Words (Momus, September 2024)

Variable West:

Cliff Notes: Southern California (July 2024)

Cliff Notes: Southern California (June 2024)

Cliff Notes: Southern California (May 2024)

Cliff Notes: Southern California (April 2024)

Cliff Notes: Southern California (March 2024)

Cliff Notes: Southern California (February 2024)

Interview with Faith Wilding, with Ashton Cooper & Barret Lybbert for Exhibition A (September 2023)

Ross Lipman’s The Case of the Vanishing Gods (2021), (The Brooklyn Rail, Dec/Jan 2023)

Contemporary Art Review Los Angeles (Carla):

Wayfinding at Craft Contemporary (August 2023)

Barbara T. Smith with Friends at The Box (May 2023)

Ánima Correa at Hunter Shaw Fine Art (March 2023)

Snap Review: Aimee Goguen at JOAN (November 2022)

Snap Review: Shaper of God at REDCAT (September 2022)

Snap Review: Shell at Del Vaz Projects (March 2022)

Snap Review: Infrastructure Lovers at Monte Vista Projects (February 2022)

Snap Review: Faith Wilding at Anat Ebgi (October 2021)

Exhibition Text + Catalogue Essays

“Surface Tension: The Generative Contrasts of Alison Weld,” catalogue essay for Ricco/Maresca

“Through a Mended Portal,” exhibition essay for Lydia Kern’s Passages, Epsilon Spires, April 1 - June 26, 2022

Catalogue essay for Symphony of Passion: Alison Weld, University of Maine Museum of Art, May 17 – August 31, 2019

Interview with Estefania Puerta (AQNB) — Interview with Estefania Puerta (AQNB)

Los Angeles Review of Books (Selected):

No Heroes: On Courtney Stephens’s Terra Femme — No Heroes: On Courtney Stephens’s Terra Femme

High & Dry, Low & Wet: Hatch at the Bowtie Project — High & Dry, Low & Wet: Hatch at the Bowtie Project

The White Pain and Catharsis of Midsommar — The White Pain and Catharsis of Midsommar

Hyperallergic:

A Prison Abolitionist Ceramics Studio Is Helping Change Peoples’ Lives

In Los Angeles, an Otherworldly Space Preserves the Panorama

Gina Adams's Broken Treaty Quilts — Gina Adams's Broken Treaty Quilts

Fauna: A Penny Press — Fauna: A Penny Press

Shirley Jackson's "The Lottery" as Graphic Novel

The New Inquiry:

A Form of Faith

Expressed in Fits

Art New England:

10 Years: The Cameron Print Project — 10 Years: The Cameron Print Project

Rosamond Purcell: An Art That Nature Makes — Rosamond Purcell: An Art That Nature Makes

Collage Night at the Women's Center for Creative Work (Kolaj #15) — Collage Night at the Women's Center for Creative Work (Kolaj #15)

Seven Days (Selected):

Ode, Sarah Tortora — Ode, Sarah Tortora

Interview with Alison Weld

Charity & Sylvia: Historic Same-Sex Silhouette

Grace Amber on Listening to Trash

South End Art Community Loses Unlikely Champion

Huntington Open Women's Land (HOWL)

Alnobak: Wearing Our Heritage — Alnobak: Wearing Our Heritage

Emily Anderson's Bluebird Fairies

Let the Garden Eram Flourish — Let the Garden Eram Flourish

Witches Against Trump

Hooked on Tarot

Looking for Shirley Jackson in North Bennington

Contemporary Native Art Biennial

Mid-Century Sculptures Found at Bundy Modern

Talking Art: Jeremy Lee MacKenzie

Ground, An Artist Book of Killed FSA Negatives — Ground, An Artist Book of Killed FSA Negatives

The Tent of Casually Observed Phenologies, James Leonard — The Tent of Casually Observed Phenologies, James Leonard

Talking with Maria Tatar, Doctor of Fairytales

ArtSlant (Selected):

We Need Artifacts to Live: Patrick Bernatchez + Camille Henrot

Fractured: Works on Paper — Fractured: Works on Paper

Interview: Martine Syms

Interview: Amalia Mesa-Bains

Something To Hold On To: Talismans for New Worlds in Recent Film (The Quietus) — Something To Hold On To: Talismans for New Worlds in Recent Film (The Quietus)

What's the Use of a Photo Man? (Anthropology Now) — What's the Use of a Photo Man? (Anthropology Now)

Les Femmes Brut, or An Alternative Guide to the Alternative Guide to the Universe (Sandy The Zine No. 4: Crazy) — Les Femmes Brut, or An Alternative Guide to the Alternative Guide to the Universe (Sandy The Zine No. 4: Crazy)

Review: The One and The Many (Anthropology News) — Review: The One and The Many (Anthropology News)

Review: Depression; A Public Feeling, by Ann Cvetkovich (The Journal of Modern Craft) — Review: Depression; A Public Feeling, by Ann Cvetkovich (The Journal of Modern Craft)

Artforum:

Critics' Pick: Vivian Maier at Merry Karnowsky Gallery

Critics' Pick: Timothy Washington at CAFAM

Nothing is Wrong (The Toast) — Nothing is Wrong (The Toast)

Interview: David Graeber (Bookforum) — Interview: David Graeber (Bookforum)

Interview: Jonathan Lethem (Dossier) — Interview: Jonathan Lethem (Dossier)